May2012::Zagreb::Croatia::SC::VN::NMG

'...We are the revolt of the spirit; we believe that revolution is the inevitable vengeance of a spirit humiliated with your doings. We are not utopians; we can conceive this revolution only as a social form. If anywhere there are men and women who have seen a coalition form against them (traitors to everything that is not freedom, rebels of every sort, prisoners of common law), let them never forget that the idea of revolution is the best and most effective safeguard of the individual.'

La Révolution surréaliste, NO.5, Paris 1925.

In the creation of the project Revolution Now & Forever the starting point was a quote from the surrealist manifesto aiming to examine the relation between the Revolution and Art (artists as revoluated individuals). What was evident from the scrach was the long love relationship between Art and Revolution. Artists use Revolution as experimental probes for testing various social relations, public or private, and troday their works use a variety of media presentations, such as videos, performances, installations, public actions, lectures, talks and interactive net projects.

In this leaflet: Performance

Name and address of the holder of the authorization / producers: Natasha Kadin / Boris Kadin, Mavena, Stari put 24, 21 000 Split, This e-mail address is being protected from spambots. You need JavaScript enabled to view it , www.mavena.hr, phone: 0958249911

Indications: Arab spring, occupy Wall Street, former premier in jail, the government camp, simulation of beginning of the future, revolution and emotion, a system error, balloons of the terrorist cells 40 years later, ignorant mayors, colonized culture, we are the Croats, tie as a loop around the neck, St. Francis preaching Jesus on Marjan, quasi-elites, flawed electoral lists for the cull, citizens - sheeps, hunting on millionaires prohibited, wanted dead or alive, who is dead?, botoxed students, failed worlds, quasi skills, stills from life of artistic couple, two as Thousand and One Nights, claimed identities, soft subjects, public intellectuals .....

is a project that establishes a performance space at the airport, connecting technology, theater and the airport with the problem of terrorism, including through the Internet (social networks) as many people in the creative transformation of public space in the design space, create an art that can be engaged to work on real life in a way that their actions improve the living environment of citizens ... Project Performing Terrorism discusses the political problem of modern terrorism, its identity, a connection with the airport area as a neuralgic point of safety in Europe.

Authors: Natasha Kadin / Boris Kadin

TRACES is a multimedia project which is designed as a performance / installation / exhibition in which the starting point is a long durational multi-media exploration of different fragments and aspects of the body / city / nature / nomad / lover / artist.
Trace is the smallest memory unit of nomadic life. We understand the traces as codes in which the coordinates of travel, cities, streets, desires, images, bodies in nature, events, architecture, metro, love, audio recording, drawing on a napkin, text messages, chats, random events, city maps...are written. Trace is an attempt to subsequently establish a correlation between the codes, to set the coordinates in linear time and space and thus form transits of memory in interaction to each viewer / participant in TRACES.